I spotted a vid of Molly Tuttle demonstrating some of her awsome guitar technique. Along the way she mentions that she uses Dunlop 207 jazz picks - so I ordered a couple, maybe hoping a scintilla of her talent might rub off on me (fat chance). They are quite hefty - 2.1mm thick, and when I use them the tone I achieve is really dull. How does she do it? 

https://www.youtube.com/watch?v=Etg152GcDgI

Hello all.

Anybody know what the specification for the knobs is for a T386.
I am presuming metric (6mm), 20 spline, split shaft, standard depth

Just want to check in to make sure I order the right ones - had a spline mismatch in the past - not great.

Cheers all

Ok - what is your favourite non-Eastman guitar? Mine is my 2005 Larrivee SD-50 slope shouldered dread - 12 fret, slotted headstock, Mahogany/Sitka tobacco burst. Achingly beautiful to look at, with a rich, sweet and clear tone. And loads of projection - no problem being heard. 1 7/8" nut and wide string spacing - a finger pickers delight. I suppose it's a bit of a niche guitar, but I would move my Martin 000-28 and Bourgeois EIR OM on before it. Apologies to those who only own Eastmans ha ha.

I’m seeking advice for my first Eastman purchase. I’m looking for a hollowbody (or semi-hollow without a full center block) that weighs <7 pounds. I really dislike heavy guitars.

I’m studying jazz guitar and love chord melody and solo guitar. I practice mostly unamplified, but — because I live in an apartment building — it’s important that the guitar have presence and be enjoyable to play, but not *too* loud. I love the versatile, warm sound of .012 round wounds with a wound third. I’m also a huge fan of the 80s-90s ECM players like John Abercrombie, Ralph Towner, Pat Metheny, etc. It’s a sound that I equate with acoustic sustain without overwhelming tinny-ness, and a mellow bass that stops juuuust short of being mushy. I can’t really blaze around eighth notes for hours, and don’t have that sort of interest.

I’ve narrowed it down to these three instruments, as I don’t want a full depth archtop. I’d love any feedback owners could share. Personally, I’d choose based on comfort while sitting down (I’m 6’ tall and play in a semi-Classical guitar style position, but with a strap), and for that clean, mellow tone when playing near the neck pickup. My purchase would involve a compromise somewhere, but whatever comes closest would get my vote.

Ordered a 2020 E2D from Sunrise Guitars,should be here by Thursday.The cedar top is exceptionally dark on this one along with a unique grain pattern.Also the back grain of the sapele is way different than any E2D or E1D that I’ve seen,similar to a rosewood grain.Hope it sounds as good as it looks.Plus I’ve gotta tortoloid guard coming that I think will spice it up! I sound like a kid in a candy store, but what the heck you only go round once. If I can figure out how to post photos,I will, I’m not too tech savvy.

Just heard this on the radio and wanted to share it with you. Great artistry on guitar and voice (fancy trying to score Ella's vocal line?) :-

https://www.youtube.com/watch?v=Xkat1kt0Kpk

This is probably something I'd chase if not for the fact that I'm swamped and skint.

https://www.acousticguitarforum.com/foru...p?t=572454

I'm happy with my little Gibson family. But really can't keep up with the Joneses - or should I say Collingses - that now surround Zissou Intern.

Share with the group, won't you Keith?

$875 plus shipping to CONUS.
This is a great sounding/playing guitar in as new condition. Gorgeous all solid wood with beautiful grain pattern on top and back. This guitar has always been humidified in a display case. More photos upon request. 

* Adirondack Spruce top
* Mahogany back, sides and neck
* Ebony fret board
* 1 11/16" @ nut
* 24.75" scale
* "C" neck profile
* Bone nut and saddle
* Eastman hardshell case

A strap button has been added to the heel. Frets are in good condition. Overall in excellent, as new condition. Case is in mint condition as well.

Hello everybody - new member here. 

I picked up a T386 recently and trying to see if I can get the best out of the stock set up before considering upgrades. The guitar has been settling in nicely with various action tweaks and I have tinkered with PUP and pole piece heights. I am getting a nice breathy warm tone from the neck - with nice clarity. As others have said the bridge is pretty good too. 

I'm now at the point of thinking about the value of a PUP replacement. People seem to like the Seth Lovers in this instrument. 
The thing is that it has a maple neck - I am thinking that the Seths may accentuate the brightness and lose the warmth. 
Also seen people say that the Seths long legs present a problem with the cavity depth. Did you have to route the cavity out further (don't like the idea of that).

I'd like to ask anybody who's had experience - what did you get out of changing PUPs? Did you try the Seths and what kind of tonal difference did you feel you got out of them? Did anybody try any other PUP's and really like the results at all. 

Many thanks and all the best.