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Yes all mahogany acoustic guitars have a long, huge history...So one of my favs is an all hog 15 series Martin...Do you think Eastman should make a deep body GA/OM all mahogany? I think they would sell well! I got the reference by Martin that they sell close to 9000 per year in various models. A friend has a Larrivee all hog, but paid $2500 for it. I think Guild still makes them, as well as many boutique builders. Gibson actually made some all mahogany J-45's in the 20's-30's. I think if Eastman could design an all (genuine mahogany) deep bodied GA or OM-25" scale and a 12 fretter they would sell like hot cakes, at a good price. I know they made a run of them but none to be found. What do you think?
A Brief History of Martin’s All Mahogany Guitars (copied)
The first all-mahogany guitar was Martin's 2-17, introduced in the early 1920s.
Following the wave of popularity of Hawaiian music in the United States after World War I, Martin guitars made of Hawaiian Koa wood were selling well in the early 1920s. These guitars were built to be played lap style with a slide bar and a nut extender to raise the action. However, the frets were raised and the nut extender was removable, so they were widely played as conventionally fretted guitars. Inspired by this popularity, Martin reconfigured the 17 line to include the all mahogany model 2-17 in 1922.
This small-bodied instrument became a trendsetter for the burgeoning acoustic blues scene. Later that same decade, arch rival Gibson jumped on the bandwagon with its own mahogany-top effort, the L-0.
Martin made many Style 17 all mahogany models which were in production for many years from roughly the 40's up into the 60's.
Blues players loved these instruments with their bright but sweet trebles and a midrange that cuts through loud vocals. They were also cheap – $25 at the time.
The Style 15 came into being in 1940, but various American companies continued to make all-mahogany instruments up until the '60s, when availability of spruce (which had been a problem post-WWII) was no longer an issue.
As a result, the popularity of these 'austerity' instruments waned to the point where the big firms no longer bothered with them, although a couple of notable exceptions were Guild's D-25 and the cool-looking, bolt-on-necked Fender Newporter.
When Taylor successfully debuted the 412-M in 1996, it suggested that the time was perhaps right for this intriguing style of acoustic to return. Martin launched the strictly budget D-15 in 1997, followed by the 000-15 and others, including the 000-15S in 2000 (discontinued in 2009).
In 2010, Martin added the dreadnought sized D-15M and its smaller bodied sibling, the 000-15M, to its standard line – the “M” suffix indicating a number of spec changes over the existing 15 Series guitars, including the return to all mahogany instead of sapele, which they used during the mid-to-late 2000’s. Also adding a 000-15SM 12 fret.
The Streetmaster's also added and Martin has a new abundant source for true mahogany from South America, Central America and southern Mexico. Not using Sapele, or Sipo these days. Martin also has a stash of old Caribbean sourced mahoganies reserved for customs and can be used on tops as well.
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